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  • 7 / Sincere Fun, 2024
    • 7-1 / I / Call for Contributions
  • 6 / Learning Architecture, 2021
    • 6-1 / I / Call for Contributions
  • 5 / Invisible Structures, 2020
    • 5-1 / I / Prologue
    • 5-2 / II / Essays
  • 4 / The Possible Progress, 2019
    • 4-1 / I / The Possible Progress
    • 4-2 / II / Answer Series
  • 3 / Building Identity, 2018
    • 3-1 / I / ASSIMILATION
    • 3-2 / II / APPROPRIATION
    • 3-3 / III / REJECTION
    • 3-4 / IV / CONCILIATION
    • 3-5 / V / THE CASE OF DWELLING
  • 2 / The limits of fiction in Architecture, 2017
    • 2-1 / I / THE TEXT ISSUE
    • 2-2 / II / THE IMAGE ISSUE
  • 1 / The Form of Form, 2016
    • 1-1 / I / How To Learn Better
    • 1-2 / II / The Architecture of the city. A palimpsest
    • 1-3 / III / LISBOA PARALELA
  • 0 / Relations, 2015
    • 0-0 / Ø / Worth Sharing
    • 0-1 / I / Confrères
    • 0-2 / II / Mannschaft
    • 0-3 / III / Santisima Trinidad
  • imprintingidentity / Imprinting Identity, Special Issue 2019
    • imprintingidentity / Imprinting Identity
  • makingheimat / Making Heimat, Special Issue 2017
    • makingheimat / Making Heimat
  • About
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    Matthews Street House watercolor

    Thomas Gordon Smith

    “I designed Matthews Street House for an empty lot in Berkeley, California in 1978 with the idea of using economical construction methods and salvaged columns to make a house for my young family. The cost was prohibitive, however, and instead of being constructed, the design was exhibited in three museums and widely published, including in […]

    “I designed Matthews Street House for an empty lot in Berkeley, California in 1978 with the idea of using economical construction methods and salvaged columns to make a house for my young family. The cost was prohibitive, however, and instead of being constructed, the design was exhibited in three museums and widely published, including in Newsweek Magazine. To me, the house still signifes the potential for the rebirth of classical architecture.” Thomas Gordon Smith

    Thomas Gordon Smith combined the practice of architecture and teaching. Smith taught at UCLA, Sci-Arch, Yale University, and the University of Illinois, Chicago before he was appointed chairman of the School of Architecture at the University of Notre Dame, Indiana, where he transformed the School into a classical program. Smith won the Rome Prize in Architecture at the American Academy in Rome in 1979 and his façade and architectural designs contribu- ted to the Strada Novissima Venice Biennale, The Presence of the Past, in 1980.

    Smith’s publications include Classical Architecture: Rule and Invention, Vi- truvius on Architecture, and books related to early 19th century American architecture and furniture. Professional projects include architectural de- sign for the Benedictine Annunciation Abbey at Clear Creek in Oklahoma; Our Lady of Guadalupe Seminary in Nebraska; the Classical Galleries in the American Wing of the Metropolitan Museum of Art in NYC; several uni- versity buildings in California and Indiana; and residences built in California, Illinois, Indiana, Wisconsin, and South Carolina.

    2 – 03
    Visual Contribution
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