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  • 7 / Sincere Fun, 2024
    • 7-1 / I / Call for Contributions
  • 6 / Learning Architecture, 2021
    • 6-1 / I / Call for Contributions
  • 5 / Invisible Structures, 2020
    • 5-1 / I / Prologue
    • 5-2 / II / Essays
  • 4 / The Possible Progress, 2019
    • 4-1 / I / The Possible Progress
    • 4-2 / II / Answer Series
  • 3 / Building Identity, 2018
    • 3-1 / I / ASSIMILATION
    • 3-2 / II / APPROPRIATION
    • 3-3 / III / REJECTION
    • 3-4 / IV / CONCILIATION
    • 3-5 / V / THE CASE OF DWELLING
  • 2 / The limits of fiction in Architecture, 2017
    • 2-1 / I / THE TEXT ISSUE
    • 2-2 / II / THE IMAGE ISSUE
  • 1 / The Form of Form, 2016
    • 1-1 / I / How To Learn Better
    • 1-2 / II / The Architecture of the city. A palimpsest
    • 1-3 / III / LISBOA PARALELA
  • 0 / Relations, 2015
    • 0-0 / Ø / Worth Sharing
    • 0-1 / I / Confrères
    • 0-2 / II / Mannschaft
    • 0-3 / III / Santisima Trinidad
  • imprintingidentity / Imprinting Identity, Special Issue 2019
    • imprintingidentity / Imprinting Identity
  • makingheimat / Making Heimat, Special Issue 2017
    • makingheimat / Making Heimat
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    The P.P. Layouts and The Illusion of the Domestic

    Gruppo Torto

    “He Himself [Sam Regan] was a believer; He affirmed the miracle of translation, the near-sacred moment in which the miniature artifacts of the layout no longer merely represented Earth but became Earth. And he and others, joined together in the fusion of doll-inhabitation by means of the CAN-D, were trasported outside of time and local […]

    “He Himself [Sam Regan] was a believer; He affirmed the miracle of translation, the near-sacred moment in which the miniature artifacts of the layout no longer merely represented Earth but became Earth. And he and others, joined together in the fusion of doll-inhabitation by means of the CAN-D, were trasported outside of time and local space. Many of the colonist were as yet unbelievers; to them the layouts were merely symbols of world which none of them could any longer experience. But, one by one, the believers came around.”

    Philip K. Dick, The Three Stigmata of Palmer Eldritch (New York: Doubleday, 1965), 36

    GruppoTorto, founded in 2016, is a research collective of young architects who graduated at Politecnico di Milano and work now in different international studios across Europe. The main research topics revolve around architecture and urbanism whereby the focus is directed on the analysis of dysfunctional conditions of our cities. The group is based on the common effort of Franz Bittenbinder, Martina Bovo, Claudia Consonni, Mattia Inselvini, Chiara Lippi, Gianmario Pandozzi, Enrico Pinto and Luigi Savio.

    2 – 16
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