CARTHA

   

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  • 8 / Remains, 2025
    • 8-1 / I / Remains
  • 7 / Sincere Fun, 2024
    • 7-1 / I / Call for Contributions
  • 6 / Learning Architecture, 2021
    • 6-1 / I / Call for Contributions
  • 5 / Invisible Structures, 2020
    • 5-1 / I / Prologue
    • 5-2 / II / Essays
  • 4 / The Possible Progress, 2019
    • 4-1 / I / The Possible Progress
    • 4-2 / II / Answer Series
  • 3 / Building Identity, 2018
    • 3-1 / I / ASSIMILATION
    • 3-2 / II / APPROPRIATION
    • 3-3 / III / REJECTION
    • 3-4 / IV / CONCILIATION
    • 3-5 / V / THE CASE OF DWELLING
  • 2 / The limits of fiction in Architecture, 2017
    • 2-1 / I / THE TEXT ISSUE
    • 2-2 / II / THE IMAGE ISSUE
  • 1 / The Form of Form, 2016
    • 1-1 / I / How To Learn Better
    • 1-2 / II / The Architecture of the city. A palimpsest
    • 1-3 / III / LISBOA PARALELA
  • 0 / Relations, 2015
    • 0-0 / Ø / Worth Sharing
    • 0-1 / I / Confrères
    • 0-2 / II / Mannschaft
    • 0-3 / III / Santisima Trinidad
  • imprintingidentity / Imprinting Identity, Special Issue 2019
    • imprintingidentity / Imprinting Identity
  • makingheimat / Making Heimat, Special Issue 2017
    • makingheimat / Making Heimat
  • About
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    CARTHA

    The relation between fiction and architecture is of an intrinsic nature. Built or unbuilt, since the moment architecture starts to exist, fiction is there, present in the different imaginaries of what a project could be. From the first sensorial manipulations that gave birth to the basis of Occidental architecture to the way we represent it […]

    The relation between fiction and architecture is of an intrinsic nature. Built or unbuilt, since the moment architecture starts to exist, fiction is there, present in the different imaginaries of what a project could be. From the first sensorial manipulations that gave birth to the basis of Occidental architecture to the way we represent it nowadays, before and after it has been built, fiction is always there, hand in hand with architecture.

    For this second issue, we ask for visual contributions as explorations of the limits of fiction in architecture. Contributions can only and exclusively be images but we offer total freedom regarding the chosen technique. Carte blanche to photography, collage, digital or analogical drawings as well as mixed techniques. The contributor should build upon an example in architecture, a case study, and expand on the question of how architecture operates with and within fiction and reality. The format of the contribution can consist of a single image as much as a diptych, a triptych, a sequence of images or a matrix of thumbnails, for example. We also encourage contributors to use Issue I – The Text Issue as reference for possible case studies to be explored.

    SCHEDULE AND SUBMISSION DETAILS

    Contributions can be submitted until 20.11.2017.
    Contributions must be submitted both in .jpeg format at 300 d.p.i. and at 72 d.p.i. and in .pdf format. Captions should be sub- mitted alongside the images
    The Limits of Fiction in Architecture, Issue II – The Image Issue will be published in December 2017.

     

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    Call for Contributions
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