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  • 7 / Sincere Fun, 2024
    • 7-1 / I / Call for Contributions
  • 6 / Learning Architecture, 2021
    • 6-1 / I / Call for Contributions
  • 5 / Invisible Structures, 2020
    • 5-1 / I / Prologue
    • 5-2 / II / Essays
  • 4 / The Possible Progress, 2019
    • 4-1 / I / The Possible Progress
    • 4-2 / II / Answer Series
  • 3 / Building Identity, 2018
    • 3-1 / I / ASSIMILATION
    • 3-2 / II / APPROPRIATION
    • 3-3 / III / REJECTION
    • 3-4 / IV / CONCILIATION
    • 3-5 / V / THE CASE OF DWELLING
  • 2 / The limits of fiction in Architecture, 2017
    • 2-1 / I / THE TEXT ISSUE
    • 2-2 / II / THE IMAGE ISSUE
  • 1 / The Form of Form, 2016
    • 1-1 / I / How To Learn Better
    • 1-2 / II / The Architecture of the city. A palimpsest
    • 1-3 / III / LISBOA PARALELA
  • 0 / Relations, 2015
    • 0-0 / Ø / Worth Sharing
    • 0-1 / I / Confrères
    • 0-2 / II / Mannschaft
    • 0-3 / III / Santisima Trinidad
  • imprintingidentity / Imprinting Identity, Special Issue 2019
    • imprintingidentity / Imprinting Identity
  • makingheimat / Making Heimat, Special Issue 2017
    • makingheimat / Making Heimat
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    Sector 04 MOS Architects

    MOS Architects

    Like most cities, it began with a Grid, which made sense when we had to navigate, remember, negotiate, and find our own way. Its single-mindedness physically structured all parts into a whole, providing orientation, location, address, memory, and identity. It made things much more manageable and rational. We had a sense of where things stood […]

    S04_Sector_locationLike most cities, it began with a Grid, which made sense when we had to navigate, remember, negotiate, and find our own way. Its single-mindedness physically structured all parts into a whole, providing orientation, location, address, memory, and identity. It made things much more manageable and rational. We had a sense of where things stood in relation to each other.

    What happened next is impossible to completely grasp. Maybe it was the landscape, maybe it was the people, or maybe no one was paying attention. But at some point cities grew unrepresentable as a totality, became an ungraspable, entropic mess of stuff and events—all the parts overwhelmed the whole. The city became a collection of monuments, of neighborhoods and archipelagos. We needed cognitive maps to make sense of it all.

    Nowadays size and distance don’t matter, only resolution. Objectivity is a matter of perspective. And everyone’s sole concern is how strong their signal is. We are emancipated from everything. We are imprisoned by everything. We no longer need maps, cognitive or otherwise, only directions. We communicate in bed at any hour, with anyone, to anywhere; we collect friends; we search infinite heaps of information in an instant; we follow each other closely, from great distances: our memory and the navigation of cities are outsourced to the cloud. The city now fits neatly in our pocket, the unrepresentable chaos of the past now relatively manageable and representable. There are no differences between parts and wholes. Everything is simultaneously isolated and interconnected.

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    MOS Architects is a New York–based architecture studio, founded by principals Hilary Sample and Michael Meredith in 2005. An internationally recognized architecture practice, MOS was the recipient of the 2015 Cooper Hewitt, Smithsonian Design Museum National Design Award in Architecture, the 2010 American Academy of Arts and Letters Architecture Award, and the 2008 Architectural League of New York Emerging Voices Award. Individual works have similarly received numerous awards and distinctions, most notably: the 2015 Global Holcim Award for sustainable construction (Asia-Pacific Region), for Community Center No. 3 (Lali Gurans Orphanage); the cover of Abitare and an AIA NY State Award of Excellence, for School No. 1 (Krabbesholm Højskole); the 2014 accession of both the firm’s modular, off-grid House No. 5 (Museum of Outdoor Arts Element House) into The Museum of Modern Art, Architecture and Design Collection; the acquisition of House No. 3 (Lot No. 6 / Ordos) into the permanent collection of The Art Institute of Chicago; and the selection of Pavilion No. 4 (Afterparty) for the 2009 MoMA PS1 Young Architects Program. Recent work includes: Store No. 2 (Chamber) in Chelsea, NYC; House No. 10, currently under-construction; School No. 2, a competition proposal for the Institute for Advanced Study Commons Building; and Housing No. 4 (Dequindre Cut, Detroit).

    3 – 05
    Design
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