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  • 7 / Sincere Fun, 2024
    • 7-1 / I / Call for Contributions
  • 6 / Learning Architecture, 2021
    • 6-1 / I / Call for Contributions
  • 5 / Invisible Structures, 2020
    • 5-1 / I / Prologue
    • 5-2 / II / Essays
  • 4 / The Possible Progress, 2019
    • 4-1 / I / The Possible Progress
    • 4-2 / II / Answer Series
  • 3 / Building Identity, 2018
    • 3-1 / I / ASSIMILATION
    • 3-2 / II / APPROPRIATION
    • 3-3 / III / REJECTION
    • 3-4 / IV / CONCILIATION
    • 3-5 / V / THE CASE OF DWELLING
  • 2 / The limits of fiction in Architecture, 2017
    • 2-1 / I / THE TEXT ISSUE
    • 2-2 / II / THE IMAGE ISSUE
  • 1 / The Form of Form, 2016
    • 1-1 / I / How To Learn Better
    • 1-2 / II / The Architecture of the city. A palimpsest
    • 1-3 / III / LISBOA PARALELA
  • 0 / Relations, 2015
    • 0-0 / Ø / Worth Sharing
    • 0-1 / I / Confrères
    • 0-2 / II / Mannschaft
    • 0-3 / III / Santisima Trinidad
  • imprintingidentity / Imprinting Identity, Special Issue 2019
    • imprintingidentity / Imprinting Identity
  • makingheimat / Making Heimat, Special Issue 2017
    • makingheimat / Making Heimat
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    The Study Area

    Armin Linke

    CHAPTER II: PRIMARY ELEMENTS AND THE CONCEPT OF AREA The Study Area   Armin Linke (born 1966, lives in Berlin) combines a range of contemporary image-processing technologies to blur the borders between fiction and reality. His artistic practice is concerned with the interrelations and transformative powers between urban, architectural or spatial functions and the human […]

    CHAPTER II: PRIMARY ELEMENTS AND THE CONCEPT OF AREA

    The Study Area

     

    Mountain with antennas Kitakyushu Japan

    Armin Linke (born 1966, lives in Berlin) combines a range of contemporary image-processing technologies to blur the borders between fiction and reality. His artistic practice is concerned with the interrelations and transformative powers between urban, architectural or spatial functions and the human being’s interacting with these environments.

     

     

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    Visual Essay
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