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  • 7 / Sincere Fun, 2024
    • 7-1 / I / Call for Contributions
  • 6 / Learning Architecture, 2021
    • 6-1 / I / Call for Contributions
  • 5 / Invisible Structures, 2020
    • 5-1 / I / Prologue
    • 5-2 / II / Essays
  • 4 / The Possible Progress, 2019
    • 4-1 / I / The Possible Progress
    • 4-2 / II / Answer Series
  • 3 / Building Identity, 2018
    • 3-1 / I / ASSIMILATION
    • 3-2 / II / APPROPRIATION
    • 3-3 / III / REJECTION
    • 3-4 / IV / CONCILIATION
    • 3-5 / V / THE CASE OF DWELLING
  • 2 / The limits of fiction in Architecture, 2017
    • 2-1 / I / THE TEXT ISSUE
    • 2-2 / II / THE IMAGE ISSUE
  • 1 / The Form of Form, 2016
    • 1-1 / I / How To Learn Better
    • 1-2 / II / The Architecture of the city. A palimpsest
    • 1-3 / III / LISBOA PARALELA
  • 0 / Relations, 2015
    • 0-0 / Ø / Worth Sharing
    • 0-1 / I / Confrères
    • 0-2 / II / Mannschaft
    • 0-3 / III / Santisima Trinidad
  • imprintingidentity / Imprinting Identity, Special Issue 2019
    • imprintingidentity / Imprinting Identity
  • makingheimat / Making Heimat, Special Issue 2017
    • makingheimat / Making Heimat
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    Vernacular Subjects

    Louis De Belle

                      Louis De Belle (b.1988 in Milano) studied at the Politecnico di Milano (BA) and Bauhaus–Universität Weimar (MFA). His works have been published by the likes of The Washington Post, Libèration and The Independent. His photographs have been exhibited in galleries and museums such as The Royal […]

     

     

     

     

     

     

     

     

     

    Louis De Belle (b.1988 in Milano) studied at the Politecnico di Milano (BA) and Bauhaus–Universität Weimar (MFA). His works have been published by the likes of The Washington Post, Libèration and The Independent. His photographs have been exhibited in galleries and museums such as The Royal Albert Hall in London and the Tieranatomisches Theater in Berlin. He lives and works between Milano and Berlin.

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    Visual Essay
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